DVD Vault: Gloria (1980) with Gena Rowlands
July 31st 2010 08:38
Category: Drama, What to Rent?
Before there was Jean Reno in Leon (aka: The Professional), Milla Jovavitch in Ultraviolet, and Tilda Swinton in Julia, there was Gloria, a tough broad, former gangster moll and now a surrogate mother to a six year old, precocious, smart alecky little boy whose family has been gunned down by the mob.
For some strange reason this movie has always stuck with me through the years. The plotting is simplistic and nothing really inspiring but the delivery is gripping and at the end of the day it's more about the relationship that develops between a tough woman with zero maternal instincts, who can't even fry an egg for breakfast and a little boy with a big mouth who suddenly has no family. Such is the talent of the late director, John Cassevetes who also penned the script and his wife Gena Rowlands who plays the title character for pulling this off.
Gloria Swenson, not to be confused with Gloria Swanson, never knew how the day would end when she stopped by her neighbor's apartment for a cup of coffee. A storm is coming and the atmosphere in the small flat reeks of danger. The tension is so thick that even the children are unsettled.
Jack Dawn (Buck Henry) is an accountant for the mob. He has a notebook with mafia transactions that could cause a lot of trouble - the mob knows this and in any minute there's going to be hell to pay. Jack's wife, Jeri (Julie Carmen) knows that the situation is grave but she has, at least, a chance to save her kids if not herself. She asks Gloria to take her children, in which Gloria responds: "I don't like kids...especially your kids." At first we think maybe this is a bit harsh but then later on we sort of understand what she means. Gloria ends up taking the youngest child, Phil (John Adames) but before the inevitable Jack has just enough time to entrust his son with the damaging notebook to keep safe as it will help save his life one day.
Rowlands does an amazing job as Gloria. Sure, she's tough and she can hold her own because she knows the score, her friends are actually the same people who are hunting down the newly orphaned, Phil, and she has even spent time in prison - but she plays Gloria with such nervous energy and brief moments of rigid tension and vulnerability, fully aware of the danger she's in. She does not want to die and there are a few moments when she questions her actions and you actually feel the gravity and frustration of her situation. There is an intense scene when she's confronted by the bad guys, with Phil by her side. They ask her to turn over the kid and with an almost legendary resolve, she grits her teeth makes a decision which seals her fate, using her gun and a few well places bullets as her answer.
The plot is almost ludicrous but mainly a non-issue. Gloria and Phil are constantly being pursued and it's not fully explained how the mob is always one step ahead of them unless all of New York City is on a payroll. It would be plausible today with such advanced technology as the mobile phone and surveillance cameras but in the 80's it's not that such diligence would be impossible but perhaps not so fast. But then again perhaps a gun-toting broad, impeccably dress with heels, running around NYC with a six year old Puerto Rican boy in one hand and a gun in the other sticks out like a sore thumb - especially taking shelter in such rancid locations as flop houses, dark alleys, and crummy motels.
The success of the movie hinges on the two lead characters. The chemistry between Rowlands and little John Adames, who plays Phil is phenomenal. It's hard to believe that this kid, in his only film role, was nominated for a Razzie Award for worst supporting actor. I'm of the mind that he played his role as an obnoxious little brat (at times) so convincingly that people were hard pressed to believe that he was actually acting. This kid was dynamite and his delivery was spot on as a wise-beyond-his-years little hell-raiser with tons of charisma. But he wasn't always a kid you wanted to punt. Adames embodied a scared little boy dropped in a situation so far beyond his capacity to understand what was going on. In one scene he tells Gloria that he wants to play stick-ball with his friends. I had a lot of fun watching these two go at it, especially at the beginning when they were wearily circling each other ready to pounce. Over time Gloria's protection of Phil gradually becomes personal and then meaningful especially when she risks her life in the ultimate showdown to ensure that he's safe and far away. And Phil comes to accept Gloria as the only family he's got.
John Cassevetes was both an amazing actor and an inventive film director who used simple camera techniques that wouldn't overshadow the actors inspiration or spontaneity. Gloria is not filled with extraordinary camera work or creative editing techniques but the movie works because he threw his actors into grim settings and made them incorporate their surroundings into the character.
It's been years since I've seen Gloria and it still works and stands against the test of time. It's still just as enjoyable as the first time I saw it many years ago. If you decide to rent Gloria, be sure you don't confuse it with the HORRIBLE 1999 remake starring Sharon Stone.
For some strange reason this movie has always stuck with me through the years. The plotting is simplistic and nothing really inspiring but the delivery is gripping and at the end of the day it's more about the relationship that develops between a tough woman with zero maternal instincts, who can't even fry an egg for breakfast and a little boy with a big mouth who suddenly has no family. Such is the talent of the late director, John Cassevetes who also penned the script and his wife Gena Rowlands who plays the title character for pulling this off.
Gloria Swenson, not to be confused with Gloria Swanson, never knew how the day would end when she stopped by her neighbor's apartment for a cup of coffee. A storm is coming and the atmosphere in the small flat reeks of danger. The tension is so thick that even the children are unsettled.
Jack Dawn (Buck Henry) is an accountant for the mob. He has a notebook with mafia transactions that could cause a lot of trouble - the mob knows this and in any minute there's going to be hell to pay. Jack's wife, Jeri (Julie Carmen) knows that the situation is grave but she has, at least, a chance to save her kids if not herself. She asks Gloria to take her children, in which Gloria responds: "I don't like kids...especially your kids." At first we think maybe this is a bit harsh but then later on we sort of understand what she means. Gloria ends up taking the youngest child, Phil (John Adames) but before the inevitable Jack has just enough time to entrust his son with the damaging notebook to keep safe as it will help save his life one day.
Rowlands does an amazing job as Gloria. Sure, she's tough and she can hold her own because she knows the score, her friends are actually the same people who are hunting down the newly orphaned, Phil, and she has even spent time in prison - but she plays Gloria with such nervous energy and brief moments of rigid tension and vulnerability, fully aware of the danger she's in. She does not want to die and there are a few moments when she questions her actions and you actually feel the gravity and frustration of her situation. There is an intense scene when she's confronted by the bad guys, with Phil by her side. They ask her to turn over the kid and with an almost legendary resolve, she grits her teeth makes a decision which seals her fate, using her gun and a few well places bullets as her answer.
The plot is almost ludicrous but mainly a non-issue. Gloria and Phil are constantly being pursued and it's not fully explained how the mob is always one step ahead of them unless all of New York City is on a payroll. It would be plausible today with such advanced technology as the mobile phone and surveillance cameras but in the 80's it's not that such diligence would be impossible but perhaps not so fast. But then again perhaps a gun-toting broad, impeccably dress with heels, running around NYC with a six year old Puerto Rican boy in one hand and a gun in the other sticks out like a sore thumb - especially taking shelter in such rancid locations as flop houses, dark alleys, and crummy motels.
The success of the movie hinges on the two lead characters. The chemistry between Rowlands and little John Adames, who plays Phil is phenomenal. It's hard to believe that this kid, in his only film role, was nominated for a Razzie Award for worst supporting actor. I'm of the mind that he played his role as an obnoxious little brat (at times) so convincingly that people were hard pressed to believe that he was actually acting. This kid was dynamite and his delivery was spot on as a wise-beyond-his-years little hell-raiser with tons of charisma. But he wasn't always a kid you wanted to punt. Adames embodied a scared little boy dropped in a situation so far beyond his capacity to understand what was going on. In one scene he tells Gloria that he wants to play stick-ball with his friends. I had a lot of fun watching these two go at it, especially at the beginning when they were wearily circling each other ready to pounce. Over time Gloria's protection of Phil gradually becomes personal and then meaningful especially when she risks her life in the ultimate showdown to ensure that he's safe and far away. And Phil comes to accept Gloria as the only family he's got.
John Cassevetes was both an amazing actor and an inventive film director who used simple camera techniques that wouldn't overshadow the actors inspiration or spontaneity. Gloria is not filled with extraordinary camera work or creative editing techniques but the movie works because he threw his actors into grim settings and made them incorporate their surroundings into the character.
It's been years since I've seen Gloria and it still works and stands against the test of time. It's still just as enjoyable as the first time I saw it many years ago. If you decide to rent Gloria, be sure you don't confuse it with the HORRIBLE 1999 remake starring Sharon Stone.
| 114 |
| Vote |
subscribe to this blog





























Comment by JohnDoe
Film & TV on DVD
Certainly not in the upper tier of JC works but better than many claim it to be.
I would be lying if I wasn't wishing for the kids death the whole way through.
Comment by Deni
Abstract Magick
Cinema Herald
Hahaha, I understand. I don't know if I would wish for the kid's death but a few good thrashings would have been more satisfying to me.
Thanks for stopping by.
Comment by Matt Shea
20/20 Filmsight
Comment by ShaunK
Screen Adventure
hahahaha - I completely forgot about the razzie - hilarious!
I really didn't like this film too much, it doesn't have any of Cassavetes remotely interesting qualities in it, but still has a few touches in it that I dig.
I love the music in the film especially during the opening and closing. I also really like that shot in the beginning with the stow-away kids on that bus when the camera just abandons them.
Nice review Deni - keeping the Cassavetes love alive!
Comment by Deni
Abstract Magick
Cinema Herald
Shaun - I can definitely understand you not liking this one. I think what does it for me is how she treats the kid. So unconventional.
Cheers, guys!